The Geometry of Musical Chords

Science  07 Jul 2006:
Vol. 313, Issue 5783, pp. 72-74
DOI: 10.1126/science.1126287

You are currently viewing the abstract.

View Full Text


A musical chord can be represented as a point in a geometrical space called an orbifold. Line segments represent mappings from the notes of one chord to those of another. Composers in a wide range of styles have exploited the non-Euclidean geometry of these spaces, typically by using short line segments between structurally similar chords. Such line segments exist only when chords are nearly symmetrical under translation, reflection, or permutation. Paradigmatically consonant and dissonant chords possess different near-symmetries and suggest different musical uses.

View Full Text